THE SCREENING ROOM
DESOWITZ ON BLU-RAY/DVD
By Bill Desowitz
Several years ago, I discovered the wonders of the London-based based Eureka, which I call the Criterion of Region 2. The Masters of Cinema series is renowned for international classics (Alain Resnais' mesmerizing "Muriel" and Douglas Sirk's underrated "A Time to Love and a Time to Die" are two recent entries that I highly recommend). And now they have embraced Blu-ray, too (http://eurekavideo.co.uk/moc/bluray/).Speaking of which, the new Blu-ray of F.W. Murnau's 1927 silent masterpiece, "Sunrise" -- the only version in 1080p HD anywhere -- is one of the Blu highlights of the year. The new master contains two versions of the film: the now familiar Movietone version and the recently discovered Czech version, which is shorter but superior looking. The negative was destroyed in a fire but they utilize the best surviving film elements.
And speaking of Murnau, Eureka has also released Murnau's "Phantom" (1922) on DVD, a precursor to "Sunrise" boasting the director's trademark naturalism along with a dreamy romanticism. An aspiring poet has a chance encounter with a beautiful woman in the street and experiences a wild romantic adventure that anticipates "Vertigo" in its descent into obsession and desperation.
Meanwhile, Eureka has released two recent films on Blu: Johnnie To's "Mad Detective" (2007) and Kiyoshi Kurosawa's "Tokyo Sonata" (2008) (2007). Mad Detective" is a brilliant psychological crime thriller from Hong Kong about a genius cop, Detective Bun (Lau Ching Wan) who can see inner personalities (a kindred spirit to "Manhunter's" Will Graham), but is forced into retirement after slicing off his right ear and presenting it as a gift to his retiring boss. However, Bun soon comes out of retirement to track a bizarre serial killer, who is a seven-spirit collective inspired by "The Seven Deadly Sins." "Dr. Mabuse" meets "Seven"? No, this is highly original, funky and unnerving -- and not to be missed. Of course, it looks crisp and creepy in HD. "Tokyo Sonata" may be the best and most solemn movie about the impact of the current recession, in which Ryuhei Sasaki (Teruyuki Kagawa) is unceremoniously dumped from his job and tries to hide his shame from his family by pretending to go to work each day. In a departure from his usual horror fare, Kurosawa manages to impart a chilly existentialism to this very relevant social drama. The city is both a nightmare and a haven, reinforced by the sharp HD image.
Special thanks to Steve Hills of Eureka
Photos: © Eureka
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